LEADER 00000nam 2200385 4500
001 AAI3227318
005 20070430073144.5
008 070430s2006 eng d
020 9780542788970
035 (UnM)AAI3227318
040 UnM|cUnM
100 1 Galindo, Alberto S
245 10 Atlas of AIDS: Culture, circulation and AIDS in Latin
America
300 186 p
500 Source: Dissertation Abstracts International, Volume: 67-
07, Section: A, page: 2597
500 Adviser: Ricardo Piglia
502 Thesis (Ph.D.)--Princeton University, 2006
520 The beginnings of Atlas of AIDS: Culture, Circulation and
AIDS in Latin America propose that AIDS can work as a
network between major cities. The project seeks to address
the relation between such cities---New York, San Juan,
Buenos Aires and Sao Paulo---and the production of culture
in the Americas throughout the 1990s by means of four
Latin American writers with AIDS. It suggests that these
writers' texts and poetics contribute to an ongoing debate
about culture and politics in its complex interaction with
the changing development of AIDS
520 The first chapter discusses the work of Cuban writer
Reinaldo Arenas (1943-1990) and the city of New York,
thinking of this city as a very important enclave for
Latin American culture. It also poses questions about
citizenship and migration by means of this writer in exile
living with HIV in the United States
520 The second chapter focuses on San Juan and two Puerto
Rican artists, the painter Carlos Collazo (1956-1990) and
the writer Manuel Ramos Otero (1948-1990). This section
traces the possible counterpoint between history and
fiction after contracting the virus
520 The third chapter studies the artwork of Argentinean
painter Guillermo Kuitca as a way of using maps to read
the circulation of AIDS throughout urban spaces in
relation to the work of Argentinean writer Nester
Perlongher (1949-1992). This study of Perlongher allows a
comparison between Buenos Aires and Sao Paulo while
discussing issues of language, traveling, and sexuality
520 The fourth chapter questions different ways of narrating
the fear and paranoia of possibly contracting AIDS, mainly
through the medical memoir Estacao Carandiru (1999) by
Drauzio Varella and the published letters of Brazilian
writer Caio Fernando Abreu (1948-1996). The letters
outline the changes of AIDS and eventually incorporate the
writer's own experience with AIDS, blurring the line
between the public and the private spheres
520 This Atlas of AIDS also puts forward that these writers
were already generating ideas about AIDS in the
intellectual arena that would eventually become central to
the history and tradition of AIDS in the cities of Latin
America
590 School code: 0181
590 DDC
650 4 Literature, Latin American
650 4 Fine Arts
690 0312
690 0357
710 20 Princeton University
773 0 |tDissertation Abstracts International|g67-07A
856 40 |uhttp://pqdd.sinica.edu.tw/twdaoapp/servlet/
advanced?query=3227318