Author Schoonover, Karl
Title Brutal Vision : The Neorealist Body in Postwar Italian Cinema
Imprint Minneapolis : University of Minnesota Press, 2012
book jacket
Descript 1 online resource (320 pages)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Note Cover -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. An Inevitably Obscene Cinema: Bazin and Neorealism -- 2. The North Atlantic Ballyhoo of Liberal Humanism -- 3. Rossellini's Exemplary Corpse and the Sovereign Bystander -- 4. Spectacular Suffering: De Sica's Bodies and Charity's Gaze -- 5. Neorealism Undone: The Resistant Physicalities of the Second Generation -- CONCLUSION -- NOTES -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z
Film history identifies Italian neorealism as the exemplar of national cinema, a specifically domestic response to wartime atrocities. Brutal Vision challenges this orthodoxy by arguing that neorealist films-including such classics as Rome, Open City; Paisan; Shoeshine; and Bicycle Thieves -should be understood less as national products and more as complex agents of a postwar reorganization of global politics. For these films, cinema facilitates the liberal humanist sympathy required to usher in a new era of world stability. In his readings of crucial films and newly discovered documents from the archives of neorealism's international distribution, Karl Schoonover reveals how these films used images of the imperiled body to reconstitute the concept of the human and to recalibrate the scale of human community. He traces how Italian neorealism emerges from and consolidates the transnational space of the North Atlantic, with scenarios of physical suffering dramatizing the geopolitical stakes of a newly global vision. Here we see how-in their views of injury, torture, and martyrdom-these films propose a new mode of spectating that answers the period's call for extranational witnesses, makes the imposition of limited sovereignty palatable, and underwrites a new visual politics of liberal compassion that Schoonover calls brutal humanism. These films redefine moviegoing as a form of political action and place the filmgoer at the center of a postwar geopolitics of international aid. Brutal Vision interrogates the role of neorealism's famously heart-wrenching scenes in a new global order that requires its citizenry to invest emotionally in large-scale international aid packages, from the Marshall Plan to the liberal charity schemes of NGOs. The book fundamentally revises ideas of cinematic specificity, the human, and geopolitical scale that we inherit
from neorealism and its postwar milieu-ideas that continue to set the terms for political filmmaking today
Description based on publisher supplied metadata and other sources
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2020. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Link Print version: Schoonover, Karl Brutal Vision : The Neorealist Body in Postwar Italian Cinema Minneapolis : University of Minnesota Press,c2012 9780816675548
Subject Ecological genetics.;Microbial diversity.;Microbial ecology.;Microbiology -- Cultures and culture media
Electronic books