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008 200713s2012 xx o ||||0 eng d
020 9781441182883|q(electronic bk.)
020 |z9780826438928
035 (MiAaPQ)EBC894595
035 (Au-PeEL)EBL894595
035 (CaPaEBR)ebr10554636
035 (CaONFJC)MIL360840
035 (OCoLC)787843590
040 MiAaPQ|beng|erda|epn|cMiAaPQ|dMiAaPQ
050 4 PN1995.R865 2012
082 0 791.4301
100 1 Rushton, Richard
245 10 Cinema after Deleuze
250 1st ed
264 1 London :|bBloomsbury Publishing Plc,|c2012
264 4 |c©2012
300 1 online resource (185 pages)
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
490 1 Deleuze and Guattari Encounters Ser
505 0 Intro -- Title page -- Copyright page -- Contents --
Acknowledgements -- Chapter 1: What Questions does
Deleuze's Philosophy of Cinema Answer? -- What are the
Questions? -- Chapter 2: The Movement-Image (I): Griffith,
Eisenstein, Gance, Lang -- The Movement-Image -- D. W.
Griffith -- Eisenstein and Soviet Montage -- Abel Gance
and French Impressionism -- Fritz Lang and German
Expressionism -- Chapter 3: The Movement-Image (II): Ford
and Kazan -- Perception, Action, Affection -- The Large
Form of the Action-Image: John Ford -- Kazan and the
American Dream -- Chapter 4: The Movement-Image (III):
Hawks and Hitchcock -- The Small Form of the Action-Image:
Howard Hawks -- The Relation-Image: Alfred Hitchcock -- On
Vertigo -- Chapter 5: The Time-Image (I): Italian
Neorealism and After -- What is the Time-Image? -- Italian
Neorealism -- Antonioni -- Chapter 6: The Time-Image (II):
Ophüls and Fellini -- The Time of the Time-Image -- Time,
Memory and the Past -- Max Ophüls: Letter from an Unknown
Woman, Lola Montès, La ronde -- The Crystal-Image --
Federico Fellini -- Chapter 7: The Time-Image (III):
Welles and Resnais -- The Actual and the Virtual --
Dreaming of an American Uncle -- Actual and Virtual, Past
and Present: Last Year in Marienbad (1961) -- Chapter 8:
Thought and Cinema -- Eisenstein: A Shock to Thought --
Godard: To Believe in this World -- Belief in this World -
- Chapter 9: Cinema After Deleuze (I): The Persistence of
the Movement-Image -- Steven Spielberg: Echoes of the
Large Form -- Martin Scorsese: Picking up the Pieces of
the Small Form -- Luc Besson: The Cinéma du Look or the
Spectacle-Image -- Chapter 10: Cinema After Deleuze (II):
Recent Elements of the Time-Image -- Lars von Trier: A
Cinema Against Ethics -- Wong Kar-Wai: The Floating-Image
-- Abbas Kiarostami: The Open Image -- Notes -- Chapter 4
-- Chapter 6 -- Chapter 7
505 8 Chapter 8 -- Chapter 10 -- Filmography -- Index
520 Cinema After Deleuze offers a clear and lucid introduction
to Deleuze's writings on cinema which will appeal both to
undergraduates and specialists in film studies and
philosophy. The book provides explanations of the many
categories and classifications found in Deleuze's two
landmark books on cinema and offers assessments of a range
of films, including works by John Ford, Sergei Eisenstein,
Alfred Hitchcock, Michelangelo Antonioni, Alain Resnais
and others. Contemporary directors such as Steven
Spielberg, Lars von Trier, Martin Scorsese and Wong Kar-
wai are also examined in the light of Deleuze's theories,
thus bringing Deleuze's writings on cinema right up to
date. Cinema After Deleuze demonstrates why Deleuze is
rightly considered today to be one of the great
philosophers of cinema. The book is essential reading for
students in philosophy and film studies alike
588 Description based on publisher supplied metadata and other
sources
590 Electronic reproduction. Ann Arbor, Michigan : ProQuest
Ebook Central, 2020. Available via World Wide Web. Access
may be limited to ProQuest Ebook Central affiliated
libraries
650 0 Deleuze, Gilles - Criticism and interpretation
655 4 Electronic books
776 08 |iPrint version:|aRushton, Richard|tCinema after Deleuze
|dLondon : Bloomsbury Publishing Plc,c2012|z9780826438928
830 0 Deleuze and Guattari Encounters Ser
856 40 |uhttps://ebookcentral.proquest.com/lib/sinciatw/
detail.action?docID=894595|zClick to View
