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1st ed |
| Descript |
1 online resource (185 pages) |
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text txt rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
| Series |
Deleuze and Guattari Encounters Ser |
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Deleuze and Guattari Encounters Ser
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| Note |
Intro -- Title page -- Copyright page -- Contents -- Acknowledgements -- Chapter 1: What Questions does Deleuze's Philosophy of Cinema Answer? -- What are the Questions? -- Chapter 2: The Movement-Image (I): Griffith, Eisenstein, Gance, Lang -- The Movement-Image -- D. W. Griffith -- Eisenstein and Soviet Montage -- Abel Gance and French Impressionism -- Fritz Lang and German Expressionism -- Chapter 3: The Movement-Image (II): Ford and Kazan -- Perception, Action, Affection -- The Large Form of the Action-Image: John Ford -- Kazan and the American Dream -- Chapter 4: The Movement-Image (III): Hawks and Hitchcock -- The Small Form of the Action-Image: Howard Hawks -- The Relation-Image: Alfred Hitchcock -- On Vertigo -- Chapter 5: The Time-Image (I): Italian Neorealism and After -- What is the Time-Image? -- Italian Neorealism -- Antonioni -- Chapter 6: The Time-Image (II): Ophüls and Fellini -- The Time of the Time-Image -- Time, Memory and the Past -- Max Ophüls: Letter from an Unknown Woman, Lola Montès, La ronde -- The Crystal-Image -- Federico Fellini -- Chapter 7: The Time-Image (III): Welles and Resnais -- The Actual and the Virtual -- Dreaming of an American Uncle -- Actual and Virtual, Past and Present: Last Year in Marienbad (1961) -- Chapter 8: Thought and Cinema -- Eisenstein: A Shock to Thought -- Godard: To Believe in this World -- Belief in this World -- Chapter 9: Cinema After Deleuze (I): The Persistence of the Movement-Image -- Steven Spielberg: Echoes of the Large Form -- Martin Scorsese: Picking up the Pieces of the Small Form -- Luc Besson: The Cinéma du Look or the Spectacle-Image -- Chapter 10: Cinema After Deleuze (II): Recent Elements of the Time-Image -- Lars von Trier: A Cinema Against Ethics -- Wong Kar-Wai: The Floating-Image -- Abbas Kiarostami: The Open Image -- Notes -- Chapter 4 -- Chapter 6 -- Chapter 7 |
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Chapter 8 -- Chapter 10 -- Filmography -- Index |
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Cinema After Deleuze offers a clear and lucid introduction to Deleuze's writings on cinema which will appeal both to undergraduates and specialists in film studies and philosophy. The book provides explanations of the many categories and classifications found in Deleuze's two landmark books on cinema and offers assessments of a range of films, including works by John Ford, Sergei Eisenstein, Alfred Hitchcock, Michelangelo Antonioni, Alain Resnais and others. Contemporary directors such as Steven Spielberg, Lars von Trier, Martin Scorsese and Wong Kar-wai are also examined in the light of Deleuze's theories, thus bringing Deleuze's writings on cinema right up to date. Cinema After Deleuze demonstrates why Deleuze is rightly considered today to be one of the great philosophers of cinema. The book is essential reading for students in philosophy and film studies alike |
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Description based on publisher supplied metadata and other sources |
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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2020. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries |
| Link |
Print version: Rushton, Richard Cinema after Deleuze
London : Bloomsbury Publishing Plc,c2012 9780826438928
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| Subject |
Deleuze, Gilles - Criticism and interpretation
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Electronic books
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