LEADER 00000nam a22004453i 4500 
001    EBC556627 
003    MiAaPQ 
005    20200713055146.0 
006    m     o  d |       
007    cr cnu|||||||| 
008    200713s2005    xx      o     ||||0 eng d 
020    9789401202787|q(electronic bk.) 
020    |z9789042019645 
035    (MiAaPQ)EBC556627 
035    (Au-PeEL)EBL556627 
035    (CaPaEBR)ebr10380453 
035    (OCoLC)714567336 
040    MiAaPQ|beng|erda|epn|cMiAaPQ|dMiAaPQ 
050  4 PN57.C33 -- C37 2005eb 
082 0  791.437 
100 1  Perriam, Christopher 
245 10 Carmen :|bFrom Silent Film to MTV 
264  1 Amsterdam :|bEditions Rodopi,|c2005 
264  4 |c©2005 
300    1 online resource (233 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
490 1  Critical Studies, 24 ;|vv.v. 24 
505 0  Intro -- Contents -- Introduction -- Space, Time and 
       Gender in the Film d'Art Carmen of 1910 -- Geraldine 
       Farrar and Cecil B. DeMille: The Effect of Opera on Film 
       and Film on Opera in 1915 -- Carmen and Early Cinema: The 
       Case of Jacques Feyder (1926) -- Shadow and Substance: 
       Reiniger's Carmen Cuts Her Own Capers -- A Carmenesque 
       Dietrich in The Devil Is A Woman: Erotic Scenarios, Modern
       Desires and Cultural Differences Between the USA and Spain
       -- Rehispanicizing Carmen: Cultural Reappropriations in 
       Spanish Cinema -- Putting the Blame on Carmen: The Rita 
       Hayworth Version -- Screen Politics: Otto Preminger's 
       Carmen Jones -- The Dissonant Refrains of Jean-Luc 
       Godard's Prénom Carmen -- Carlos Saura's Carmen: Hybridity
       and the Inescapable Cliché -- Cinematic Carmen and the 
       'Oeil Noir' -- The Turbulent Movement of Forms: Rosi's 
       Postmodern Carmen -- Carmen as Perennial Fusion: From 
       Habanera to Hip-Hop -- List of Contributors -- Index -- A 
       -- B -- C -- D -- E -- F -- G -- H -- J -- K -- L -- M -- 
       N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -
       - Z 
520    Since Prosper Mérimée and Georges Bizet (with his 
       librettists Meilhac and Halévy) brought the figure of the 
       Spanish Carmen to prominence in the nineteenth century an 
       astonishing eighty or so film versions of the story have 
       been made. This collection of essays gathers together a 
       unique body of scholarly critique focused on that Carmen 
       narrative in film. It covers the phenomenon from a number 
       of aspects: cultural studies, gender studies, studies in 
       race and representation, musicology, film history, and the
       history of performance. The essays take us from the days 
       of silent film to twenty-first century hip-hop style, 
       showing, through a variety of theoretical and historical 
       perspectives that, despite social and cultural 
       transformations-particularly in terms of gender, sexuality
       and race-remarkably little has changed in terms of basic 
       human desires and anxieties, at least as they are 
       represented in this body of films. The conception of 
       Carmen's independent sexuality as a source of danger both 
       to men (and occasionally women) and to respectable society
       has been a constant. Nor has sexual and ethnic otherness 
       lost its appeal. On the other hand, the corpus of Carmen 
       films is more than a simple recycling of stereotypes and 
       each engages newly with the social and cultural issues of 
       their time 
588    Description based on publisher supplied metadata and other
590    Electronic reproduction. Ann Arbor, Michigan : ProQuest 
       Ebook Central, 2020. Available via World Wide Web. Access 
       may be limited to ProQuest Ebook Central affiliated 
650  0 Carmen (Fictitious character);Film adaptations 
655  4 Electronic books 
700 1  Davies, Ann 
776 08 |iPrint version:|aPerriam, Christopher|tCarmen : From 
       Silent Film to MTV|dAmsterdam : Editions Rodopi,c2005
830  0 Critical Studies, 24 
856 40 |uhttps://ebookcentral.proquest.com/lib/sinciatw/
       detail.action?docID=556627|zClick to View