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005 20200713055146.0
006 m o d |
007 cr cnu||||||||
008 200713s2005 xx o ||||0 eng d
020 9789401202787|q(electronic bk.)
020 |z9789042019645
035 (MiAaPQ)EBC556627
035 (Au-PeEL)EBL556627
035 (CaPaEBR)ebr10380453
035 (OCoLC)714567336
040 MiAaPQ|beng|erda|epn|cMiAaPQ|dMiAaPQ
050 4 PN57.C33 -- C37 2005eb
082 0 791.437
100 1 Perriam, Christopher
245 10 Carmen :|bFrom Silent Film to MTV
264 1 Amsterdam :|bEditions Rodopi,|c2005
264 4 |c©2005
300 1 online resource (233 pages)
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
490 1 Critical Studies, 24 ;|vv.v. 24
505 0 Intro -- Contents -- Introduction -- Space, Time and
Gender in the Film d'Art Carmen of 1910 -- Geraldine
Farrar and Cecil B. DeMille: The Effect of Opera on Film
and Film on Opera in 1915 -- Carmen and Early Cinema: The
Case of Jacques Feyder (1926) -- Shadow and Substance:
Reiniger's Carmen Cuts Her Own Capers -- A Carmenesque
Dietrich in The Devil Is A Woman: Erotic Scenarios, Modern
Desires and Cultural Differences Between the USA and Spain
-- Rehispanicizing Carmen: Cultural Reappropriations in
Spanish Cinema -- Putting the Blame on Carmen: The Rita
Hayworth Version -- Screen Politics: Otto Preminger's
Carmen Jones -- The Dissonant Refrains of Jean-Luc
Godard's Prénom Carmen -- Carlos Saura's Carmen: Hybridity
and the Inescapable Cliché -- Cinematic Carmen and the
'Oeil Noir' -- The Turbulent Movement of Forms: Rosi's
Postmodern Carmen -- Carmen as Perennial Fusion: From
Habanera to Hip-Hop -- List of Contributors -- Index -- A
-- B -- C -- D -- E -- F -- G -- H -- J -- K -- L -- M --
N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -
- Z
520 Since Prosper Mérimée and Georges Bizet (with his
librettists Meilhac and Halévy) brought the figure of the
Spanish Carmen to prominence in the nineteenth century an
astonishing eighty or so film versions of the story have
been made. This collection of essays gathers together a
unique body of scholarly critique focused on that Carmen
narrative in film. It covers the phenomenon from a number
of aspects: cultural studies, gender studies, studies in
race and representation, musicology, film history, and the
history of performance. The essays take us from the days
of silent film to twenty-first century hip-hop style,
showing, through a variety of theoretical and historical
perspectives that, despite social and cultural
transformations-particularly in terms of gender, sexuality
and race-remarkably little has changed in terms of basic
human desires and anxieties, at least as they are
represented in this body of films. The conception of
Carmen's independent sexuality as a source of danger both
to men (and occasionally women) and to respectable society
has been a constant. Nor has sexual and ethnic otherness
lost its appeal. On the other hand, the corpus of Carmen
films is more than a simple recycling of stereotypes and
each engages newly with the social and cultural issues of
their time
588 Description based on publisher supplied metadata and other
sources
590 Electronic reproduction. Ann Arbor, Michigan : ProQuest
Ebook Central, 2020. Available via World Wide Web. Access
may be limited to ProQuest Ebook Central affiliated
libraries
650 0 Carmen (Fictitious character);Film adaptations
655 4 Electronic books
700 1 Davies, Ann
776 08 |iPrint version:|aPerriam, Christopher|tCarmen : From
Silent Film to MTV|dAmsterdam : Editions Rodopi,c2005
|z9789042019645
830 0 Critical Studies, 24
856 40 |uhttps://ebookcentral.proquest.com/lib/sinciatw/
detail.action?docID=556627|zClick to View
