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005    20200713055108.0 
006    m     o  d |       
007    cr cnu|||||||| 
008    200713s2005    xx      o     ||||0 eng d 
020    9780520941205|q(electronic bk.) 
020    |z9780520253117 
035    (MiAaPQ)EBC239719 
035    (Au-PeEL)EBL239719 
035    (CaPaEBR)ebr10090691 
035    (CaONFJC)MIL236038 
035    (OCoLC)475951233 
040    MiAaPQ|beng|erda|epn|cMiAaPQ|dMiAaPQ 
050  4 2004025268 
082 0  781.542 
100 1  Goldmark, Daniel Ira 
245 10 Tunes For 'Toons :|bMusic and the Hollywood Cartoon 
250    1st ed 
264  1 Berkerley :|bUniversity of California Press,|c2005 
264  4 |c©2005 
300    1 online resource (244 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
505 0  Intro -- Contents -- List of Illustrations and Tables -- 
       List of Music Examples -- Acknowledgments -- Introduction:
       Why Cartoon Music? -- 1. CARL STALLING AND POPULAR MUSIC 
       IN THE WARNER BROS. CARTOONS -- 2. "YOU REALLY DO BEAT THE
       SHIT OUT OF THAT CAT": SCOTT BRADLEY'S (VIOLENT) MUSIC FOR
       MGM -- 3. JUNGLE JIVE: ANIMATION, JAZZ MUSIC, AND SWING 
       CULTURE -- 4. CORNY CONCERTOS AND SILLY SYMPHONIES: 
       CLASSICAL MUSIC AND CARTOONS -- 5. WHAT'S OPERA, DOC? AND 
       CARTOON OPERA -- A Brief Conclusion -- Appendix 1: Carl 
       Stalling Documents -- Appendix 2: Scott Bradley Documents 
       -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E
       -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- 
       Q -- R -- S -- T -- U -- V -- W -- Y -- Z 
520    In the first in-depth examination of music written for 
       Hollywood animated cartoons of the 1930s through the 1950s,
       Daniel Goldmark provides a brilliant account of the 
       enormous creative effort that went into setting cartoons 
       to music and shows how this effort shaped the characters 
       and stories that have become embedded in American culture.
       Focusing on classical music, opera, and jazz, Goldmark 
       considers the genre and compositional style of cartoons 
       produced by major Hollywood animation studios, including 
       Warner Bros., MGM, Lantz, and the Fleischers. Tunes for 
       'Toons discusses several well-known cartoons in detail, 
       including What's Opera, Doc?, the 1957 Warner Bros. parody
       of Wagner and opera that is one of the most popular 
       cartoons ever created. Goldmark pays particular attention 
       to the work of Carl Stalling and Scott Bradley, arguably 
       the two most influential composers of music for theatrical
       cartoons. Though their musical backgrounds and approaches 
       to scoring differed greatly, Stalling and Bradley together
       established a unique sound for animated comedies that has 
       not changed in more than seventy years. Using a rich range
       of sources including cue sheets, scores, informal 
       interviews, and articles from hard-to-find journals, the 
       author evaluates how music works in an animated universe. 
       Reminding readers of the larger context in which films are
       produced and viewed, this book looks at how studios 
       employed culturally charged music to inspire their stories
       and explores the degree to which composers integrated 
       stylistic elements of jazz and the classics into their 
       scores 
588    Description based on publisher supplied metadata and other
       sources 
590    Electronic reproduction. Ann Arbor, Michigan : ProQuest 
       Ebook Central, 2020. Available via World Wide Web. Access 
       may be limited to ProQuest Ebook Central affiliated 
       libraries 
650  0 Animated film music - History and criticism 
655  4 Electronic books 
700 1  Goldmark, Daniel Ira 
776 08 |iPrint version:|aGoldmark, Daniel Ira|tTunes For 'Toons :
       Music and the Hollywood Cartoon|dBerkerley : University of
       California Press,c2005|z9780520253117 
856 40 |uhttps://ebookcentral.proquest.com/lib/sinciatw/
       detail.action?docID=239719|zClick to View