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作者 Cull, Laura
書名 Theatres of immanence [electronic resource] : Deleuze and the ethics of performance / Laura Cull
出版項 Houndmills, Basingstoke, Hampshire, [England] ; New York : Palgrave Macmillan, 2012
國際標準書號 9781137291912 (electronic bk.)
1137291915 (electronic bk.)
9780230319523
0230319521
9781283737838
1283737833
book jacket
說明 1 online resource
附註 Includes bibliographical references and index
Immanent Authorship: From the Living Theatre to Cage and Goat Island -- Disorganizing Language, Voicing Minority: From Artaud to Carmelo Bene, Robert Wilson & Georges Lavaudant -- Immanent Imitations, Animal Affects: From Hijikata Tatsumi to Marcus Coates -- Paying Attention, Participating in the Whole: Allan Kaprow Alongside Lygia Clark -- Ethical Durations,Opening to Other Times: Returning to Goat Island with Wilson -- In-Conclusion: What 'Good' is Immanent Theatre? Immanence as an Ethico-aesthetic Value
Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Gilles Deleuze's philosophy for theatre and performance. Engaging with a wide range of interdisciplinary practitioners including Goat Island, Butoh, Artaud, John Cage, the Living Theatre, Robert Wilson and Allan Kaprow, as well as with the philosophies of Deleuze and Guattari, Henri Bergson and Fra̐Μưnois Laruelle, the book conceives performance as a way of thinking 'immanence': the open and endlessly creative whole of which all things are a part. Theatres of Immanence builds upon Deleuze's emphasis on immanence, affect, change and movement to provide new approaches to five key topics in theatre and performance: 1) authorship and collaboration, 2) voice and language, 3) animals in performance, 4) audience participation and 5) time or duration. The book provides an accessible introduction to Deleuze's ideas and draws attention to the ethical dimensions of performance, asking: 'what good is theatre, and particularly immanent theatre, anyway?'
"Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Gilles Deleuze's philosophy for theatre and performance. Engaging with a wide range of interdisciplinary practitioners including Goat Island, Butoh, Artaud, John Cage, the Living Theatre, Robert Wilson and Allan Kaprow, as well as with the philosophies of Deleuze and Guattari, Henri Bergson and Fran̐Μưcois Laruelle, the book conceives performance as a way of thinking 'immanence': the open and endlessly creative whole of which all things are a part. Theatres of Immanence builds upon Deleuze's emphasis on immanence, affect, change and movement to provide new approaches to five key topics in theatre and performance: 1) authorship and collaboration, 2) voice and language, 3) animals in performance, 4) audience participation and 5) time or duration. The book provides an accessible introduction to Deleuze's ideas and draws attention to the ethical dimensions of performance, asking: 'what good is theatre, and particularly immanent theatre, anyway?' "-- Provided by publisher
Description based on print version record
Palgrave
鏈接 Print version: Cull, Laura. Theatres of immanence. Houndmills, Basingstoke, Hampshire, [England] ; New York : Palgrave Macmillan, 2012 9780230319523 (DLC) 2012034171 (OCoLC)798615432
主題 Deleuze, Gilles, 1925-1995
Performing arts -- Philosophy
Performing arts -- Ethics
Performance -- Moral and ethical aspects
PERFORMING ARTS / Theater / General. bisacsh
PERFORMING ARTS / Theater / History & Criticism. bisacsh
PHILOSOPHY / Criticism. bisacsh
PHILOSOPHY / History & Surveys / Modern bisacsh
Electronic books
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