MARC 主機 00000cam  2200517Ka 4500 
001    ocn756047356 
003    OCoLC 
005    20130621115056.0 
006    m     o  d         
007    cr cn||||||||| 
008    111006s2011    enka    ob    001 0 eng d 
020    9780230306936 (electronic bk.) 
020    0230306934 (electronic bk.) 
035    (OCoLC)756047356 
037    413174|bPalgrave Macmillan|nhttp://www.palgraveconnect.com
040    UKPGM|beng|cUKPGM|dN$T|dCDX|dE7B|dOCLCA|dOCLCQ 
049    TEFA 
050 14 PN1584|b.B35 2011 
082 04 792.01|222 
100 1  Bayly, Simon,|d1965- 
245 12 A pathognomy of performance|h[electronic resource] /
       |cSimon Bayly 
260    Basingstoke ;|aNew York :|bPalgrave Macmillan,|c2011 
300    1 online resource (x, 246 p.) :|bill 
504    Includes bibliographical references and index 
505 0  List of Illustrations -- Acknowledgements -- Introduction 
       -- Strains of Thought -- Points of Suspension -- Instants 
       of Affection -- Anomalous Appearances -- The Borrowed 
       Masks of Being -- Logics of Expression -- Wrinkles, 
       Furrows and Folds -- The Tonic of the Sonic -- Deleted 
       Expletives -- Peals of Appeal -- Bibliography -- Index -- 
505 8  Machine generated contents note: -- List of Illustrations 
       -- Acknowledgements -- Introduction -- Strains of Thought 
       -- Points of Suspension -- Instants of Affection -- 
       Anomalous Appearances -- The Borrowed Masks of Being -- 
       Logics of Expression -- Wrinkles, Furrows and Folds -- The
       Tonic of the Sonic -- Deleted Expletives -- Peals of 
       Appeal -- Bibliography -- Index 
520    A Pathognomy of Performance stages an encounter between 
       performance and philosophy to investigate notions of the 
       event, ephemerality and democracy that have perpetually 
       marked the engagement of thought and the theatrical. 
       Reanimating the antique concept of pathognomy as the art 
       of tracking the fleeting or anomalous across varied 
       terrain,̐Μưthe author̐Μưbrings together a wide variety of 
       source material drawn from theatre and performance studies,
       philosophy, neuroscience, biology, the and the visual arts
       to offer new perspectives on an ethics and aesthetics 
       shaped by the forces of undoing and interruption. Weaving 
       together a series of surprising conversations between the 
       work of major philosophers, from Levinas and Deleuze 
       through to Badiou and Ranc̐Μưire, and an eclectic range of
       phenomena, from the celebrity on stage to the 
       theatricality of the laugh, grimace and sneeze, he 
       explores how 'the passion for the real' that continues to 
       grip contemporary thought finds itself expressed in 
       everyday acts of failure, accident and collapse which 
       continually redraw the boundaries around the human and 
       humane 
520    "Exploring the themes of the event, ephemerality and 
       democracy that mark the encounter between performance and 
       philosophy, this original study elaborates fresh 
       perspectives on the experiences of undoing, fiasco and 
       disaster that shadow both the both stage and everyday 
       life"--|cProvided by publisher 
590    Palgrave 
650  0 Performing arts|xPhilosophy 
650  0 Theater|xProduction and direction 
650  0 Theater|xPhilosophy 
650  7 PERFORMING ARTS / Theater / History & Criticism|2bisacsh 
650  7 PERFORMING ARTS / Theater / General|2bisacsh 
650  7 PERFORMING ARTS / Acting & Auditioning|2bisacsh 
655  4 Electronic books 
710 2  Palgrave Connect (Online service) 
776 08 |iPrint version:|aBayly, Simon, 1965-|tPathognomy of 
       performance.|dBasingstoke ; New York : Palgrave Macmillan,
       2011|z9780230271692|w(DLC)  2011001632|w(OCoLC)697979813 
856 40 |3Palgrave Connect|uhttp://www.palgraveconnect.com/
       doifinder/10.1057/9780230306936