MARC 主機 00000cam  2200841 a 4500 
001    40776982 
003    OCoLC 
005    20150724033129.0 
008    990128s2000    mau      b    001 0 eng   
010    99019390 
020    0631206256 
020    9780631206255 
020    0631206264 
020    9780631206262 
035    (OCoLC)40776982 
040    DLC|beng|cDLC|dAS|dEAS 
050 00 PN1994|b.F4382 2000 
082 00 791.43/01|221 
245 00 Film and theory :|ban anthology /|cedited by Robert Stam 
       and Toby Miller 
260    Malden, Mass. :|bBlackwell,|c2000 
300    xviii, 862 pages ;|c24 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references (pages 800-830) and 
505 0  The author.|tDennis Porter and the question of the 
       television author /|rRosalind Coward --|tTo desire 
       differently : feminism and the French cinema /|rSandy 
       Flitterman-Lewis --|tThe unauthorized auteur today /
       |rDudley Andrew --|tFilm language/specificity. The 
       specificity of media in the arts /|rNoël Carroll --|tFor a
       semio-pragmatics of film /|rRoger Odin --|tThe scene of 
       the screen : envisioning cinmatic and electronic 
       "presence" /|rVivian Sobchack --|tThe image and 
       technology. Necessities and constraints : a pattern of 
       technological change /|rBrian Winston --|tProjections of 
       sound on image /|rMichel Chion --|tModes of production : 
       the televisual apparatus /|rJohn T. Caldwell --|tText and 
       intertext. Question of genre /|rSteve Neale --|tA semantic
       /syntactic approach to film genre /|rRick Altman --|tThe 
       "force-field" of melodrama /|rStuart Cunningham --|tFilm 
       bodies : gender, genre and excess /|rLinda Williams --
       |tThe question of realism. The cinema of attraction : 
       early film, its spectator and th avant-garde /|rTom 
       Gunning --|tBlack American cinema : the new realism /
       |rManthia Diawara --|tAlternative aesthetics. Towards a 
       third cinema /|rFernando Solanas and Octavio Gettino --
       |tFor an imperfect cinema /|rJulio García Espinosa --
       |tTowards a critical theory of Third World films /
       |rTeshome H. Gabriel --|tRethinking women's cinema : 
       aesthetics and feminist theory /|rTeresa de Lauretis --
       |tThe historical spectator/audience. Cowboys and Indians :
       perceptions of Western films among American Indians and 
       Anglos /|rJo Ellen Shively --|tTelevision news and its 
       spectator /|rRobert Stam --|tAddressing th spectator of a 
       "Third World" national cinema : the Bombay "social" film 
       of the 1940s and 1950s /|rRavi S. Vasudevan --|tApparatus 
       theory. The imaginary signifier /|rChristian Metz --|tThe 
       orthopsychic subject : film theory and the reception of 
       Lacan /|rJoan Copjec --|tFeminism, film theory and the 
       bachelor machines /|rConstance Penlet --|tThe nature of 
       the gaze. Visual pleasure and narrative cinema /|rLaura 
       Mulvey --|tFilm and the masquerade : theorizing the female
       spectator /|rMary Ann Doane --|tThe oppositional gaze : 
       Black female spectators /|rbell hooks --|tLooking awry /
       |rSlavoj Žižek --|tClass and the culture industries. 
       Constituents of a theory of the media /|rHans Magnus 
       Enzensberger --|tIdeology, economy and the British cinema 
       /|rJohn Hill --|tMass culture and the feminine : the 
       "place" of television in film studies /|rPatrice Petro --
       |tStars and performance. Heavenly bodies : film stars and 
       society /|rRichard Dyer --|tThe she-man : postmodern bi-
       sexed performance in film and video /|rChris Straayer --
       |tRoseanne : unruly woman as domestic goddess /|rKathleen 
       K. Rowe --|tMarlon Brando in On the waterfront /|rJames 
       Naremore --|tPermutations of difference. Gender and 
       culture of empire : toward a feminist ethnography of the 
       cinema /|rElla Shohat --|tFantasies of the master race : 
       categories of stereotyping of American Indians infilm /
       |rWard Churchill --|tCultural identity and cinematic 
       representation /|rStuart Hall --|tWhite privilege and 
       looking relations : race and gender in feminist film 
       theory /|rJane Gaines --|tWhite /|rRichard Dyer --|tThe 
       politics of postmodernism. --|tTelevision and 
       postmodernism /|rJim Collins --|tCritical and textual 
       hypermasculinity /|rLynne Joyrich --|t"In my Weekend-only 
       world ..." : reconsidering fandom /|rHenry Jenkins 
520    This anthology aims to offer a collection of provocative 
       and influential writings on film theory. Rather than look 
       at film theory in terms of schools and allegiances, it 
       investigates questions and problematics such as what is 
       the cinema, what is realism and what does the spectator 
650  0 Motion pictures 
700 1  Stam, Robert,|d1941- 
700 1  Miller, Toby,|d1958- 
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