| 說明 |
1 online resource (316 pages) |
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text txt rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
| 附註 |
Intro -- Title Page -- Translator's Note -- Editor's Note -- Acknowledgments -- Abbreviations -- Introduction -- Audiovisual Analysis-Part 1 -- Production Procedures -- Audiovisual Analysis-Part 2 -- Premix and Final Mix -- Compositional Elements -- Questions and Answers -- Composing for the Cinema -- Writing for the Cinema -- Filmography -- Bibliography [to 1999] -- Index -- About the Authors and Translator |
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With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. In Composing for the Cinema, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition |
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Description based on publisher supplied metadata and other sources |
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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2020. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries |
| 鏈接 |
Print version: Morricone, Ennio Composing for the Cinema : The Theory and Praxis of Music in Film
Lanham, MD : Scarecrow Press,c2013 9780810892415
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| 主題 |
Motion picture music - Instruction and study
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Electronic books
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| Alt Author |
Miceli, Sergio
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Anderson, Gillian B
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