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Author Noel, Samantha
Title Carnival is woman!: Gender, performance, and visual culture in contemporary Trinidad Carnival
book jacket
Descript 424 p
Note Source: Dissertation Abstracts International, Volume: 70-12, Section: A, page: 4489
Adviser: Richard Powell
Thesis (Ph.D.)--Duke University, 2009
While great strides have been made in the study of Trinidad Carnival, there has yet to be a robust inquiry into how women have contributed to its evolution. One major reason for this shortcoming is that the dominant cultural discourse relies on a reductive dichotomy that recognizes the costumes created prior to the 1970s as creative and those made after the 1970s as uncreative. This arbitrary division of the costume aesthetic reflects a distinct anti-feminist bias that sees women's spirited emergence in Carnival territory in the 1970s as apolitical
My dissertation exposes this dilemma, and seeks to undermine this interpretation, by its focus on how women's bodies, their presentation, and their acknowledgment of the body's potential for non-verbal articulation impacted the evolution of performance practices and the costume aesthetic in Trinidad Carnival. I explore how the predominance of women in Carnival since the 1970s and the bikini-based costume aesthetic that complements this change is suggestive of women's urgent need to manipulate the body as an aesthetic medium and site of subversion. Critical to this argument is a close examination of certain female figures who have had a sustainable presence in Trinidad Carnival's history. My project acknowledges the jamette, a working class woman who defied Victorian tenets of decorum in pre-independence Trinidad. This figure has been overlooked in the predominant scholarship of Trinidad Carnival history. Another section of my dissertation explores the influence of the Jaycees Carnival Queen competition. Women of mostly European descent participated in this Carnival-themed beauty pageant that remained popular until the 1970s. I also examine the legend of soucouyant (an old woman who turns into a ball of fire at night and sucks the life blood from unsuspecting victims) and how this figure can be deployed to reinterpret Jouvay (the ritual that marks the beginning of Trinidad Carnival)
School code: 0066
Host Item Dissertation Abstracts International 70-12A
Subject Art History
Caribbean Studies
Performing Arts
0377
0432
0641
Alt Author Duke University. Art, Art History, and Visual Studies
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