Introduction. Art and post-Fordism. The murmuring of the artistic multitude -- The biennale : a post-institution for immaterial labour -- The art scene : a production unit for economic exploitation? Global memory. Remembering in the global age -- Shopping memories in the global city -- Museum chronotopics : on the representation of the past in museums -- Memory and event. Global art. Artistic freedom and globalization -- "Deciding" art in global networks -- Art politics in a globalizing world -- Welcome to heterotopia. Afterword
