LEADER 00000cam  2200577Ka 4500 
001    ocn714086252 
003    OCoLC 
005    20130621114900.0 
006    m     o  d         
007    cr cn||||||||| 
008    110422s2011    nyu     ob    001 0 eng d 
020    9780230305380 (electronic bk.) 
020    0230305385 (electronic bk.) 
020    |z9780230221291 
020    |z0230221297 
035    (OCoLC)714086252|z(OCoLC)725380992 
037    314762|bPalgrave Macmillan|nhttp://www.palgraveconnect.com
040    UKPGM|beng|cUKPGM|dEBLCP|dOCLCQ|dN$T|dCDX|dYDXCP|dE7B
       |dOCLCQ|dREDDC|dOCLCQ 
043    f------|ae------ 
049    TEFA 
050  4 ML3917.A4|bK59 2011 
082 04 780.89/92761|222 
100 1  Kiwan, Nadia 
245 10 Cultural globalization and music|h[electronic resource] :
       |bAfrican artists in transnational networks /|cNadia Kiwan,
       Ulrike Hanna Meinhof 
260    New York :|bPalgrave Macmillan,|c2011 
300    1 online resource 
500    Includes index 
504    Includes bibliographical references (p. 258-264) and index
505 0  Acknowledgements -- Introduction -- Networks and 
       Transnational Movements ₆ a Theoretical and Methodological
       Challenge to Migration Research -- Translocal Networking 
       in Madagascar and Morocco -- Metropolitan Hubs in the 
       South -- Capital Cities as Global Hubs -- Beyond the 
       Capitals: Translocality/transnationality in Europe and the
       South -- Mutual Supports: North <> South -- Mutual 
       supports: South <> North 
520    This book is about South-North, North-South relations 
       between Africa and Europe, seen through the prism of 
       musicians from North Africa and Madagascar: a decidedly 
       'bottom-up' view, which privileges the voices of people 
       'on the move'.̐ΜưThe book̐Μưpresents the personal 
       narratives of musicians in different locations across 
       Africa and Europe, and those of the people who constitute 
       their networks within the wider artistic, cultural, and 
       civil society milieus of global or globalizing 
       societies.̐ΜưThe authors̐Μưsuggest that artists who create
       or enter such networks follow a different logic of 
       translocal and transnational links than is normally 
       associated with diaspora and migration research on music. 
       Of particular significance in̐Μưthe study is a new 
       perspective on migration which not only focuses on 
       transnational migrants who left their country of origin, 
       but foregrounds an analysis of migration within so-called 
       'sending' countries - a process which often motivates the 
       first steps towards transnational migration 
588    Description based on print version record 
590    Palgrave 
650  0 Popular music|xSocial aspects|zAfrica 
650  0 Music and transnationalism|zEurope 
650  0 Music and transnationalism|zAfrica 
650  4 Fine Arts 
650  4 Social Science 
650  7 MUSIC|xEthnomusicology.|2bisacsh 
655  4 Electronic books 
700 1  Meinhof, Ulrike Hanna 
710 2  Palgrave Connect (Online service) 
776 08 |iPrint version:|aKiwan, Nadia.|tCultural globalization 
       and music.|dNew York : Palgrave Macmillan, 2011
       |z9780230221291|w(DLC)  2011004140|w(OCoLC)698330379 
856 40 |3Palgrave Connect|uhttp://www.palgraveconnect.com/
       doifinder/10.1057/9780230305380|zeBook(Palgrave)