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Author Morgan, Celia
Title Activating the Inanimate : Visual Vocabularies of Performance Practice
Imprint Oxford : Inter-Disciplinary.Net, 2012
book jacket
Descript 1 online resource (251 pages)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Note Front Cover -- Inside Cover -- Advisory Board -- ISBN -- Table of Contents -- Introduction: Celia Morgan -- Part 1 Archetypes and Experimentation in Theatrical Visual Languages: From the Dramatic to the Post-Dramatic -- Symbolic Language and the Mythical Middle Ground Celia Morgan -- Looking at Postmodern Performances of Canonical Plays Bilha Blum -- The Full and the Void in the Theatre of Robert Wilson Marcelo de Andrade Pereira -- The Power of Images in Performance: Josef Svoboda's Scenography for Intolleranza 1960 at Boston Opera Company Barbora Příhodová -- Part 2 Materiality and Meaning: Visual Agency of the Inanimate -- Loïe Fuller and her Legacy: The Visual and the Virtual Liora Malka Yellin -- Little Cinderella, Big Cinderella: Scenography as Performance Filipa Malva -- Visionary Voice / Silent Clown Andrew Cope -- Bioscenography: Towards the Scenography of Non-Representation Parjad Sharifi -- Part 3 Embodied Meaning: The Performative Costume, Its Origins and Destinations -- From Verbal to Visual: References to Clothes in Shakespeare's Plays as Metaphor, Symbol and Concept for Costume Design Pnina Black Porter -- Emotion and Memory: Clothing the Body as Performance Jessica Bugg -- Dance Costumes on Display: Reflections and Practice Sofia Pantouvaki -- Addressing the Absent: Drawing and Scenography Kate Burnett -- Part 4 Intervention and Interaction: Performance, the Publicand the Technological Interface -- The Explanatory Frame Myer Taub -- Burning Man: Scenography for the Masses Virginia L. Vogel -- Performance Art as Intervention in Everyday Life: Participation, the Public Sphere and the Production of Meaning Alexandra Antoniadou -- Where is the Performance? What has Become of It? Myfanwyn Ryan -- Old Arts in New Media: Qualified Ontologies of 'Live' in the Age of Media Casting Adele Anderson
Part 5 Interpretation and Methodologies: The Construction of Subjectivity in a Performative Cultural Discourse -- 'Seed of the Image': Image Metaphor as a Strategy of Creative Process and Ideological Resistance Chee-Keng Lee -- Making from Scratch: A Transdisciplinary Research into the Historical and Social Production of Subjectivity Haya Cohen -- Dancing Clowns and Desert Dunes: Challenging Traditional Imagery in Flamenco-Fusion Idit Suslik -- Distances in Time and Space: Fictional Medieval Constructs of the Indian Other in the Colonial Imaginary Sarah Bonnie -- Back Cover
Description based on publisher supplied metadata and other sources
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2020. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Link Print version: Morgan, Celia Activating the Inanimate : Visual Vocabularies of Performance Practice Oxford : Inter-Disciplinary.Net,c2012
Subject Theater.;Performing arts
Electronic books
Alt Author Malva, Filipa
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