LEADER 00000cam 2200529 i 4500
001 20680874
005 20181025134755.0
008 180925s2018 nyua b 001 0 eng d
010 2018285988
020 9780415347440
020 0415347440
035 (OCoLC)on1023393900
040 ERASA|beng|cERASA|erda|dOCLCO|dOCLCA|dQGJ|dFNE|dCHVBK
|dOCLCO|dYDX|dOCLCO|dOCLCF|dDLC|dAS
042 lccopycat
050 00 N7480|b.T57 2018
082 04 707.2/2|223
082 04 111.85
245 00 Time in the history of art :|btemporality, chronology, and
anachrony /|cedited by Dan Karlholm and Keith Moxey
264 1 New York, NY :|bRoutledge,|c2018
300 ix, 253 pages :|billustrations ;|c26 cm
336 text|btxt|2rdacontent
336 still image|bsti|2rdacontent
337 unmediated|bn|2rdamedia
338 volume|bnc|2rdacarrier
490 1 Studies in Art Historiography
504 Includes bibliographical references and index
505 00 |gIntroduction:|ttelling art's time /|rDan Karlholm and
Keith Moxey --|gPart I. Historical time.|g1.|tIs history
to be closed, saved, or restarted? considering efficient
art history /|rDan Karlholm --|g2.|tWhat time is it in the
history of art? /|rKeith Moxey --|gPart II. Post-colonial
time.|g3.|tTime processes in the history of the Asian
modern /|rJohn Clark --|g4.|tColonial modern: a clash of
colonial and indigenous chronologies: the case of India /
|rPartha Mitter --|g5.|tArtists, amateurs, and the pleated
time of Ottoman modernity /|rMary Roberts --|g6.|tThe time
of translation: Victor Burgin and Sedad Eldem in virtual
conversation /|rEsra Akcan --|gPart III. Artist's time.
|g7.|tArresting what would otherwise slip away: the
waiting images of Jacob Vrel /|rHanneke Grootenboer --|g8.
|tTwisted time: Fernando Bryce's art of history /|rMiguel
Ángel Hernández Navarro --|gPart IV. Narrative time.|g9.
|tHeterochronies: the gospel according to Caravaggio /
|rGiovanni Careri --|gPart V. Ontological time.|g10.|tThe
phenomenal sublime: time, matter, image in Mesopotamian
antiquity /|rZainab Bahrani --|g11.|tResisting time: on
how temporality shaped medieval choice of materials /
|rAvinoam Shalem --|g12.|tSarah Sze's The Last Garden and
the temporality of wonder /|rChristine Ross --|gPart VI.
Photographic time.|g13.|tShowtime and exposure time: the
contradictions of social photography and the critical role
of sensitive plates for rethinking the temporality of
artworks /|rEmmanuel Alloa --|g14.|t"Objects moving are
not impressed": reading into the blur /|rAmelia Groom
520 8 Addressed to students of the image--both art historians
and students of visual studies--this book investigates the
history and nature of time in a variety of different
environments and media as well as the temporal potential
of objects. Essays will analyze such topics as the
disparities of power that privilege certain forms of
temporality above others, the nature of temporal duration
in different cultures, the time of materials, the creation
of pictorial narrative, and the recognition of anachrony
as a form of historical interpretation
650 0 Art|xHistoriography
650 0 Time and art
650 0 Time in art
700 1 Karlholm, Dan,|eeditor
700 1 Moxey, Keith P. F.,|d1943-|eeditor
830 0 Studies in art historiography