LEADER 00000cam  2200589 a 4500 
001    ocm598305116 
003    OCoLC 
005    20210112015655.0 
008    100401s2011    enka     b    001 0 eng   
010    2010014287 
020    9780415389730|q(hardback) 
020    0415389739 
020    9780415389747 
020    0415389747 
035    (OCoLC)598305116 
040    DLC|beng|cDLC|dYDX|dBWK|dSINIE|dYDXCP|dCDX|dUKMGB|dIAD
       |dLHU|dU9X|dOCLCF|dOCLCQ|dOCL|dOCLCQ|dTKN|dEUM|dEUX|dIL4J6
       |cAS|dEAS 
043    e-uk--- 
050 00 N6768|b.P66 2011 
082 00 709.41/09048|222 
100 1  Pooke, Grant,|eauthor 
245 10 Contemporary British art :|ban introduction /|cGrant Pooke
250    1st ed 
264    London ;|aNew York :|bRoutledge,|c2011 
300    xiv, 287 pages :|billustrations (some color) ;|c24 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references and index 
505 0  Chapter One: Perspectives on the Contemporary Art Market 
       and its Institutions ; The Contemporary Art Market ; 
       Contemporary Art, Celebrity & Private Collecting ; 
       Perspectives on Contemporary Art Patronage ; The Arts 
       Council's Per Cent for Art Scheme ; Contexts for Public 
       Art & Other Commissioning Organisations ; British Art 
       Awards and Prizes ; The Creative Economy and Cultural 
       Regeneration ; Contemporary Art Fairs and Biennales -- 
       Chapter Two: Post-Conceptual British Painting ; Painting: 
       Histories, Ideas and Contexts ; British Painting: Cultural
       Politics, Dissent and other Narratives ; Place, Entropy 
       and the Imaginary in Contemporary Painting ; Remodernism, 
       Stuckism and Film Noir Nostalgia ; Gestural and Geometric 
       British Painting: Modernisms Revisited -- Chapter Three: 
       Installation Art and Sculpture as Institutional Paradigms 
       ; Installations and Installation Art ; Site-specific and 
       Non Site-Specific Installations ; Installation, Objecthood
       and Active Spectatorship ; Phenomenology and Installation 
       Art ; Installation Art, Praxis and Relational Aesthetics ;
       Installation Practice as a Dream-Like Encounter ; 
       Paradigms of Installation Art as Immersive Experience and 
       Subjective Disintegration ; Installations, Bodily Response
       and Experience ; Installation, Politics and Activated 
       Spectatorship ; 'Sculpture in the Expanded Field' -- 
       Traditions and Revisions ; Sculpture as Commodity and 
       Appropriation ; Sculpture, Ambivalence and the Abject -- 
       Chapter Four: New Media in Transition: Photography, Video 
       & the Performative ; Photography: Contexts & Histories ; 
       Narratives and Countercultures: Video and Performance Art 
       ; Performance, Abjection and Other Narratives ; 
       Documentary Genres: Docu-fiction and Social Reportage ; 
       Technical Interventions, De-familiarisation and Spectacle 
       ; Portraiture, Still Life and New Media Art: 
       Objectification and Reversals 
520 8  This text provides an introduction to British art, in all 
       its money-sexy glory. It explores key themes in British 
       art practice such as autobiographical art, the abject, and
       mutability and death, through a discussion of the work of 
       key artists and art movements 
650  0 Art, British|y20th century|xThemes, motives 
650  0 Art, British|y21st century|xThemes, motives 
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 Euro-Am 3F Western Mat.  709.41 P78 2011    AVAILABLE  -  30500101426222