LEADER 00000nam a22004333i 4500 
001    EBC439057 
003    MiAaPQ 
005    20200713055133.0 
006    m     o  d |       
007    cr cnu|||||||| 
008    200713s2004    xx      o     ||||0 eng d 
020    9780195349030|q(electronic bk.) 
020    |z9780195147353 
035    (MiAaPQ)EBC439057 
035    (Au-PeEL)EBL439057 
035    (CaPaEBR)ebr10103609 
035    (CaONFJC)MIL53215 
035    (OCoLC)61329794 
040    MiAaPQ|beng|erda|epn|cMiAaPQ|dMiAaPQ 
050  4 N8790 -- .E86 2004eb 
082 0  702.87 
100 1  Spencer, Ronald D 
245 14 The Expert Versus the Object :|bJudging Fakes and False 
       Attributions in the Visual Arts 
264  1 New York :|bOxford University Press, Incorporated,|c2004 
264  4 |c©2004 
300    1 online resource (260 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
505 0  Intro -- Contents -- Foreword -- Introduction -- Part I: 
       Authentication and Connoisseurship -- 1 Authenticating the
       Attribution of Art: Connoisseurship and the Law in the 
       Judging of Forgeries, Copies, and False Attributions -- 2 
       Rembrandt and a Brief History of Connoisseurship -- 3 On 
       Forgeries -- 4 Issues of Authenticity in the Auction House
       -- 5 The Catalogue Raisonné -- 6 The Role of the Catalogue
       Raisonné in the Art Market -- 7 "The Authentic Will Win 
       Out" -- 8 Attributing Old Master Drawings -- 9 Signature 
       Identification: From Pen Stroke to Brush Stroke -- 10 The 
       International Foundation for Art Research -- 11 Museums 
       and Authenticity Issues -- 12 Examining the Techniques and
       Materials of Paintings -- 13 Preservation and Authenticity
       in Contemporary Art -- Part II: Authentication and the Law
       -- 14 The Art Expert, the Law, and Real Life -- 15 The 
       Risk of Legal Liability for Attributions of Visual Art -- 
       16 Authentication in Court: Factors Considered and 
       Standards Proposed -- 17 A Legal Decision in New York 
       Gives Experts Protection for Their Opinions on 
       Authenticity -- 18 Establishing Authenticity in French Law
       -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J
       -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- 
       V -- W -- X -- Z 
520    The authenticity of art has always commanded the attention
       of experts, dealers, collectors, and the art-minded public
       -especially those who relish the Robin Hoods of art 
       forgery who deceive rich collectors and pompous experts. 
       This book of essays, edited by a lawyer specializing in 
       art law and authenticity, proposes to make the question of
       authenticity more easily understood. The main points to be
       argued are (1) that the perception of form in a work of 
       art is not unlike other types of evidence accepted in 
       courts of law; (2) that in determining authenticity, 
       experts must adopt a careful, organized approach; and (3) 
       that all authentication should be based on the consensus 
       of experts at arm's length from an object 
588    Description based on publisher supplied metadata and other
       sources 
590    Electronic reproduction. Ann Arbor, Michigan : ProQuest 
       Ebook Central, 2020. Available via World Wide Web. Access 
       may be limited to ProQuest Ebook Central affiliated 
       libraries 
650  0 Art -- Forgeries.;Art -- Expertising.;Law and art 
655  4 Electronic books 
700 1  Thaw, Eugene Victor 
776 08 |iPrint version:|aSpencer, Ronald D.|tThe Expert Versus 
       the Object : Judging Fakes and False Attributions in the 
       Visual Arts|dNew York : Oxford University Press, 
       Incorporated,c2004|z9780195147353 
856 40 |uhttps://ebookcentral.proquest.com/lib/sinciatw/
       detail.action?docID=439057|zClick to View