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050  4 N6490 -- .W45 2003eb 
082 0  709.049 
100 1  Welchman, John C 
245 10 Art after Appropriation :|bEssays on Art in The 1990s 
250    1st ed 
264  1 Florence :|bTaylor & Francis Group,|c2001 
264  4 |c©2001 
300    1 online resource (305 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
505 0  Cover -- Art After Appropriation -- Title Page -- 
       Copyright Page -- Table of Contents -- Introduction Global
       Nets: Appropriation and Postmodernity -- Chapter 1 
       Photographies, Counter-revolution and Second Worlds: 
       Allegories by Design, 1989 -- Chapter 2 Photographies, 
       Counter-revolution and Second Worlds: Releases and Counter
       -a ppropriations, 1989 -- Chapter 3 New Bodies: The 
       Medical Venus and the Techno-grotesque, 1993-1994 -- 
       Chapter 4 Faces, Boxes and The Moves: On Travell ing Video
       Cultures, 1993 -- Chapter 5 Public Art and the Spectacle 
       of Money: On Art Rebate/ Arte Reembolso, 1993 -- Chapter 6
       'Peeping Over the Wall': Narcissism in the 1990s, 1995 -- 
       Chapter 7 Parametrology: From the White Cube to the 
       Rainbow Net, 1996 -- Chapter 8 Culture/Cuts: Post-
       appropriation in the Work of Cody Hyun Choi, 1998 -- 
       Chapter 9 Some Horizons of Medialisation: The Rainbow Net,
       1999 -- Index 
520    Beginning with the first comprehensive account of the 
       discourse of appropriation that dominated the art world in
       the late 1970s and 1980s, Art After Appropriation suggests
       a matrix of inflections and refusals around the culture of
       taking or citation, each chapter loosely correlated with 
       one year of the decade between 1989 and 1999. The opening 
       chapters show how the Second World culture of the USSR 
       gave rise to a new visibility for photography during the 
       dissolution of the Soviet Union around 1989. Welchman 
       examines how genres of ethnography, documentary and travel
       are crossed with fictive performance and social 
       improvisation in the videos of Steve Fagin. He discusses 
       how hybrid forms of subjectivity are delivered by a new 
       critical narcissism, and how the Korean-American artist, 
       Cody Choi converts diffident gestures of appropriation 
       from the logic of material or stylistic annexation into 
       continuous incorporated events. Art After Appropriation 
       also examines the creation of public art from covert 
       actions and social feedback, and how bodies participate in
       their own appropriation. Art After Appropriation concludes
       with the advent of the rainbow net, an imaginary icon that
       governs the spaces of interactivity, proliferation and 
       media piracy at the end of the millennium. John Welchman 
       is Professor of Modern Art History, Theory and Criticism 
       at the University of California, San Diego. He is the 
       author of Modernism Relocated (1995) and Invisible Colors 
       (1997); and editor of Rethinking Borders (1996), and a 
       forthcoming three-volume anthology of the writings of LA 
       artist MIke Kelley. Welchman has contributed to numerous 
       journals, magazines, museum catalogues and newspapers, 
       including Artforum; New York Times; Los Angeles Times; 
       International Herald Tribune; Los Angeles County Museum of
       Art; Tate Gallery; Museum of Contemporary Art, Los 
       Angeles; Reina Sofia, 
520 8  Madrid; Haus der Kunst, Munich 
588    Description based on publisher supplied metadata and other
590    Electronic reproduction. Ann Arbor, Michigan : ProQuest 
       Ebook Central, 2020. Available via World Wide Web. Access 
       may be limited to ProQuest Ebook Central affiliated 
650  0 Art, Modern -- 20th century.;Appropriation (Art) 
655  4 Electronic books 
776 08 |iPrint version:|aWelchman, John C.|tArt after 
       Appropriation : Essays on Art in The 1990s|dFlorence : 
       Taylor & Francis Group,c2001|z9789057010439 
856 40 |uhttps://ebookcentral.proquest.com/lib/sinciatw/
       detail.action?docID=672510|zClick to View