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1 online resource (317 pages) |
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text txt rdacontent |
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computer c rdamedia |
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online resource cr rdacarrier |
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Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Drawing on Art and Artists -- 1. Critiques of the Ocular: Duchamp and Paris Dada -- 2. The Spectacle of Film: Duchamp and Dada Experiments -- 3. Endgame Strategies: Art, Chess, and Creativity -- 4. Pointing Fingers: Dali's Homage to Duchamp -- 5. The Apparatus of Spectatorship: Duchamp, Matta-Clark, and Wilson -- Concluding Remarks: Mirrorical Returns -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z |
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Marcel Duchamp's 1919 readymade, L.H.O.O.Q. , which he created by drawing a moustache and goatee on a commercial reproduction of the Mona Lisa, precipitated a radical reevaluation of the meaning of art, the process of art making, and the role of the artist. In Drawing on Art, Dalia Judovitz explores the central importance of appropriation, collaboration, influence, and play in Duchamp's work-and in Dada and Surrealist art more broadly-to show how the concept of art itself became the critical fuel and springboard for questioning art's fundamental premises |
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Description based on publisher supplied metadata and other sources |
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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2020. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries |
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Print version: Judovitz, Dalia Drawing on Art : Duchamp and Company
Minneapolis : University of Minnesota Press,c1968 9780816665297
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Art -- Philosophy.;Duchamp, Marcel, 1887-1968 -- Criticism and interpretation.;Duchamp, Marcel, 1887-1968 -- Friends and associates
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Electronic books
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