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Author Anderson, Tim J
Title Making Easy Listening : Material Culture and Postwar American Recording
Imprint Minneapolis : University of Minnesota Press, 2006
book jacket
Descript 1 online resource (282 pages)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Series Commerce and Mass Culture
Commerce and Mass Culture
Note Intro -- Contents -- Acknowledgments -- Introduction: Opening Tracks -- Part I. Managing the Recording Process and Rethinking the Recording Bans -- 1. Buried under the Fecundity of His Own Creations: The First Strike of the American Federation of Musicians -- 2. Counterreform and Resignation: The Second Strike of the American Federation of Musicians -- Part II. Production, Reproduction, and the Case of My Fair Lady -- 3. Which Voice Best Becomes the Property? Stitching the Intertext of My Fair Lady -- 4. Listening to My My Fair Lady: Versioning and the Recorded Music Object -- Part III. Stereo, Hi-Fi, and the Modern Pleasures of Easy Listening -- 5. A Tale of Two Ears: The Concert Hall Aesthetic and Stereo -- 6. Space, the Pliable Frontier: Stereo as the New Spatial Palette of Audio -- Conclusion: The Flip Side (and a Few Concluding Thoughts) -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- P -- R -- S -- T -- V -- W
In Making Easy Listening, Tim J. Anderson analyzes the period between the Second World War and the mid-1960s that saw the American music industry engaged in a fundamental transformation in how music was produced and experienced. Anderson presents a social and cultural history of musical production that aims to understand how recording technologies influence musicians', as well as listeners', lives
Description based on publisher supplied metadata and other sources
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2020. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Link Print version: Anderson, Tim J. Making Easy Listening : Material Culture and Postwar American Recording Minneapolis : University of Minnesota Press,c2006 9780816645176
Subject Sound recording industry -- United States -- History.;Sound recordings -- Production and direction -- United States.;Popular culture -- United States -- History -- 20th century
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