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Author Lehman, Peter
Title Roy Orbison : Invention of an Alternative Rock Masculinity
Imprint Philadelphia : Temple University Press, 2003
©2003
book jacket
Descript 1 online resource (223 pages)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Series Sound Matters Ser
Sound Matters Ser
Note Intro -- Contents -- Acknowledgments -- 1. There Are Many Roy Orbisons -- 2. Mystery Man: The Evolution of a Dark, Mysterious Persona -- 3. "Radical Left Turns": The Voice and the Music -- 4. In (and Out of ) Dreams -- 5. "Crawling Back": The Masochist Aesthetic -- 6. In David Lynch's Dreams: Roy Orbison at the Movies -- 7. "The Finest White Pop Singer on the Planet": "Oh, Pretty Woman," 2 Live Crew, and Discourses of Race -- 8. Beyond the End: Roy Orbison's Posthumous Career and Legacy -- Appendix: Analysis of Songs and Recordings -- Notes -- Works Cited -- Song Acknowledgments -- Index
Roy Orbison's music-whether heard in his own recordings or in cover versions of his songs-is a significant part of contemporary American culture despite the fact that he died almost a generation ago. Few of today's listeners know or remember how startlingly unique he seemed at the height of his career in the early 1960s. In this book, Peter Lehman looks at the long span of Orbison's career and probes into the uniqueness of his songs, singing, and performance style, arguing that singer/songwriters no less than filmmakers can be considered as auteurs.Unlike other pop stars, Orbison was a constant presence on the Top 40, but virtually invisible in the media during his heyday. Ignoring the conventions of pop music, he wrote complex songs and sang them with a startling vocal range and power. Wearing black clothes and glasses and standing motionless on stage, he rejected the macho self confidence and strutting that characterized the male rockers of his time. He sang about a man lost in a world of loneliness and fear, one who cried in the dark or escaped into a dream world, the only place his desires could be fulfilled. This was a man who reveled in passivity, pain, and loss.Lehman traces Orbison's development of this alternative masculinity and the use of his music in films by Wim Wenders and David Lynch. Widely admired by fellow musicians from Elvis to Jagger, Springsteen and Bono, Orbison still attracts new listeners. As a devoted fan and insightful scholar, Lehman gives us a fascinating account of "the greatest white singer on the planet," and a new approach to understanding individual singer/songwriters
Description based on publisher supplied metadata and other sources
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2020. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Link Print version: Lehman, Peter Roy Orbison : Invention of an Alternative Rock Masculinity Philadelphia : Temple University Press,c2003 9781592130368
Subject Orbison, Roy -- Criticism and interpretation.;Rock music -- United States -- History and criticism
Electronic books
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