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Author Mabilat, Claire, 1980-
Title Orientalism and representations of music in the nineteenth-century British popular arts / Claire Mabilat
Imprint Aldershot, Hampshire, England ; Burlington, VT : Ashgate, c2008
book jacket
LOCATION CALL # STATUS OPACMSG BARCODE
 Fu Ssu-Nien WTN LANG BK  ML286 M112 2008    AVAILABLE    30530001054626
Descript xiii, 252 p. : ill. ; 24 cm
Series Music in nineteenth-century Britain
Note Includes bibliographical references (p. [223]-243)
The musical stage. An introduction to British opera and musical stage works in the long nineteenth century ; Sexualizing the other ; An angel/demon dualism -- Works of fiction: Rider Haggard and his milieu. Literature and orientalism: contextualizing Rider Haggard ; The "Lady of the Night" hath a sweet voice, and she will not sing In vain': Haggard's women - sexuality, music and the other ; Haggard's constructions of African masculinity: otherness, violence and music ; '[T]hat unknown man's singing has stirred you deeply': E.M. Hull's the Sheik, an exploration of orientalized gender -- Visual culture. Hearing art: an introduction ; Visually realizing the fictions of H. Rider Haggard ; 'High art' and the musical 'orient' ; Staging the photographic 'Orient'
Subject Orientalism in music -- Great Britain -- History
Orientalism -- Great Britain -- History
Haggard, H. Rider (Henry Rider), 1856-1925 -- Criticism and interpretation
Dramatic music -- 19th century -- Great Britain -- History and criticism
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