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Author Rodowick, David Norman, author
Title Gilles Deleuze's time machine / D.N. Rodowick
Imprint Durham, NC : Duke University Press, 1997
book jacket
 Euro-Am 3F Western Mat.  791.4301 R618gi    AVAILABLE    30500100895344
 人文社會聯圖  PN1995 R6194 1997    AVAILABLE    30600020011574
Descript xviii, 258 pages : illustrations ; 24 cm
text txt rdacontent
unmediated n rdamedia
volume nc rdacarrier
Series Post-contemporary interventions
Post-contemporary interventions
Note Includes bibliographical references (pages 243-248) and index
Placing Deleuze's two books on cinema - The Movement-Image and The Time-Image - in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and their relationship to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other books - including his influential work with Felix Guattari - Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy
Link Online version: Rodowick, David Norman. Gilles Deleuze's time machine. Durham, NC : Duke University Press, 1997 (OCoLC)650009584
Subject Deleuze, Gilles, 1925-1995. Cinéma
Motion pictures -- Philosophy
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