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007    cr cnu|||||||| 
008    200713s2011    xx      o     ||||0 eng d 
020    9781421403601|q(electronic bk.) 
020    |z9781421402215 
035    (MiAaPQ)EBC3318742 
035    (Au-PeEL)EBL3318742 
035    (CaPaEBR)ebr10790455 
035    (OCoLC)923196770 
040    MiAaPQ|beng|erda|epn|cMiAaPQ|dMiAaPQ 
050  4 PS3505.R272.Z725 20 
082 0  811/.52 
100 1  Irwin, John T 
245 10 Hart Crane's Poetry :|bAppollinaire Lived in Paris, I Live
       in Cleveland, Ohio 
264  1 Baltimore :|bJohns Hopkins University Press,|c2011 
264  4 |c©2012 
300    1 online resource (439 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
505 0  Cover -- Contents -- Preface -- Part One. The Bridge -- 1 
       The Pictorial and the Poetic -- The Bridge as a Prophetic 
       Vision of Origins -- 2 The Visual Structure of Prophetic 
       Vision -- a Simultaneous Glimpse Before and Behind -- 3 
       Spengler's Reading of Perspective as a Culture-Symbol -- 4
       The Bridge and the Paintings in the Sistine Chapel -- 
       Moses and Jesus: Columbus and Whitman -- Joseph Stella -- 
       El Greco's Agony in the Garden -- the Grail -- Dionysus 
       and Jesus -- 5 Counterpoint in The Bridge -- 6 
       Foreshadowing and Lateral Foreshadowing -- the Grail Quest
       -- Eliot's The Waste Land -- 7 The Return to Origin -- the
       Total Return to the Womb -- the Primal Scene -- Vision and
       Invisibility -- the Dual Identification -- 8 The Reversal 
       of the Figures of Father and Mother in "Indiana" -- 
       Crane's Dream of the Black Man by the River -- Crane's 
       Quarrel with His Father -- the Composition of "Black 
       Tambourine" -- 9 Crane's Dream of His Mother's Trunk in 
       the Attic -- 10 Fantasies of Return to the Womb and the 
       Primal Scene -- Three Dimensions Reduced to Two as a Sign 
       of Body Transcendence -- the Triple Archetype -- Goethe's 
       Faust -- Plato's Cave Allegory as aSublimated Womb Fantasy
       -- Helen as Mother -- the Influence of Williams and 
       Nietzsche -- Demeter, Korē, and the Amerindian Corn Mother
       -- 11 Building the Virgin -- Crane's "To Liberty" -- 
       Lazarus's "The New Colossus" -- Helen and Psyche -- 
       Astraea and the Constellation Virgo -- Demeter and Korē 
       the Virgin Mary and Queen Elizabeth I -- 12 The Education 
       of Henry Adams -- Arnold's "Stanzas from the Grande 
       Chartreuse" -- Wandering between Two Worlds -- Seneca's 
       Medea -- Whitman and the Rebound Seed -- 13 "Three Songs" 
       -- Golden Hair -- "Quaker Hill" and the Motherly Artist --
       the Return of the Golden Age -- Astraea and Atlantis -- 14
       Epic Predecessors: Aeneas and Dido -- Survival through a 
       Part-Object 
505 8  Stellar Translation and the Golden-Haired Grain -- 15 The 
       Historical Pocahontas and the Mythical Quetzalcoatl -- 
       Prescott, Spence, and D. H. Lawrence as Influences on The 
       Bridge -- Waldo Frank's Our America and the Image of 
       Submergence -- 16 Nietzsche and the Return of the Old Gods
       -- Zarathustra and Quetzalcoatl -- the Eagle and the 
       Serpent -- the Dance -- 17 The Aeneid, Book 6, and "The 
       Tunnel" -- "Cutty Sark" and Glaucus in Ovid -- Burns's 
       "Tam o' Shanter" -- Glaucus in Keats's Endymion -- 18 Time
       and Eternity in "Cutty Sark" -- Stamboul Rose, Atlantis 
       Rose, and Dante's Rose -- Moby-Dick and "Cutty Sark" -- 19
       The Historical Cutty Sark -- Hero and Leander -- Jason and
       the Argo -- Dante and the Argo -- 20 Constellations and 
       The Bridge -- 21 Constellations Continued -- Panis 
       Angelicus -- 22 Time and Eternity -- Temporal Narrative 
       and Spatial Configuration -- the Bridge as Memory Place --
       "Atlantis" -- One Arc Synoptic of All Times -- 23 
       "Atlantis" and the Image of Flight -- Shelley's "To a 
       Skylark" -- Pater and the Tears of Dionysus -- 24 Love and
       Light -- Love-as-Bridgeship -- Pater and Botticelli's 
       Venus -- Venus and the Rainbow -- Foam-Born -- Pyramids 
       and Fire -- From Ritual to Romance -- Venus and Adonis -- 
       25 Three Structures -- the Visualization of the Womb 
       Fantasy in The Last Judgement -- the Transumptive 
       Relationship -- 26 Michelangelo's Self-Portrait -- Marsyas
       and the Suffering Artist -- Part Two. White Buildings and 
       "The Broken Tower" -- 1 "Legend," "Black Tambourine," 
       "Emblems of Conduct," "My Grandmother's Love Letters," 
       "Sunday Morning Apples" -- 2 "Praise for an Urn," "Garden 
       Abstract," "Stark Major," "Chaplinesque" -- 3 "Pastorale,"
       "In Shadow," "The Fernery," "North Labrador" -- 4 "Repose 
       of Rivers," "Paraphrase," "Possessions" -- 5 "Lachrymae 
       Christi" -- 6 "Passage" -- 7 "The Wine Menagerie," 
       "Recitative" 
505 8  8 "For the Marriage of Faustus and Helen" -- 9 "At 
       Melville's Tomb," "Voyages I, II, III" -- 10 "Voyages IV, 
       V, VI" -- 11 "The Broken Tower" -- Notes to Part One: The 
       Bridge -- Works Cited -- Index -- A -- B -- C -- D -- E --
       F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -
       - R -- S -- T -- U -- V -- W -- Y -- Z 
588    Description based on publisher supplied metadata and other
       sources 
590    Electronic reproduction. Ann Arbor, Michigan : ProQuest 
       Ebook Central, 2020. Available via World Wide Web. Access 
       may be limited to ProQuest Ebook Central affiliated 
       libraries 
650  0 Crane, Hart - Criticism and interpretation 
655  4 Electronic books 
776 08 |iPrint version:|aIrwin, John T.|tHart Crane's Poetry : 
       Appollinaire Lived in Paris, I Live in Cleveland, Ohio
       |dBaltimore : Johns Hopkins University Press,c2011
       |z9781421402215 
856 40 |uhttps://ebookcentral.proquest.com/lib/sinciatw/
       detail.action?docID=3318742|zClick to View