MARC 主機 00000cam  2200493 i 4500 
001    1090438999 
005    20190910113319.0 
008    190807s2019    dcua     b   f001 0 eng c 
010    2019030817|z2019942503 
020    9780300248319 
020    9788415245841|q(CEEH) 
035    (OCoLC)ocn1090438999 
040    DGPO/DLC|beng|erda|cDLC|dDLC|dAS 
042    pcc 
043    e-sp--- 
050 00 NB813.B4|bD53 2019 
082 04 730.92|223 
086 0  SI 8.2:B 45/2 
100 1  Dickerson, C. D.,|cIII|q(Claude Douglas),|eauthor 
245 10 Alonso Berruguete :|bfirst sculptor of Renaissance Spain /
       |cC.D. Dickerson III and Mark McDonald, with Manuel Arias 
       Martínez [and five others] 
246 30 First sculptor of Renaissance Spain 
264  1 Washington :|bNational Gallery of Art ;|aDallas :|bMeadows
       Museum, SMU ;|aMadrid ;|aNew York :|bCentro de Estudios 
       Europa Hispánica/Center for Spain in America ;|aNew Haven 
       ;|aLondon :|bYale University Press,|c2019 
300    xiv, 229 pages :|billustrations (chiefly color) ;|c32 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
500    Exhibition dates: National Gallery of Art, Washington: 
       October 13, 2019 - February 17, 2020, and the Meadows 
       Museum, SMU, Dallas: March 29 - July 26, 2020 
504    Includes bibliographical references and index 
520    "Alonso Berruguete (c. 1488-1561) revolutionized the arts 
       of Renaissance Spain with a dramatic style of sculpture 
       that reflected the decade or more he had spent in Italy 
       while young. Trained as a painter, he traveled to Italy 
       around 1506, where he interacted with Michelangelo and 
       other leading artists. In 1518, he returned to Spain and 
       was appointed court painter to the new king, Charles I. 
       Eventually, he made his way to Valladolid, where he 
       shifted his focus to sculpture, opening a large workshop 
       that produced breathtaking multistory altarpieces 
       (retablos) decorated with sculptures in painted wood. This
       handsomely illustrated catalogue is the first in English 
       to treat Berruguete's art and career comprehensively. It 
       follows his career from his beginnings in Castile to his 
       final years in Toledo, where he produced his last great 
       work, the marble tomb of Cardinal Juan de Tavera. 
       Enriching the chronological narrative are discussions of 
       important aspects of Berruguete's life and practice: his 
       complicated relationship with social status and wealth; 
       his activity as a draftsman and use of prints; how he 
       worked with his many assistants to create his wood 
       sculptures; and his legacy as an artist"--|cProvided by 
542    |cBoard of Trustees, National Gallery of Art, Washington, 
       and the Meadows Museum, SMU, Dallas|fCompilation copyright
600 10 Berruguete, Alonso,|d1480?-1561|xCriticism and 
600 10 Berruguete, Alonso,|d1480?-1561|vExhibitions 
650  0 Sculptors|zSpain 
650  0 Sculpture, Spanish|y16th century|vExhibitions 
650  0 Sculpture, Renaissance|zSpain|vExhibitions 
700 1  McDonald, Mark P.,|eauthor 
700 1  Arias Martínez, Manuel,|eauthor 
710 2  National Gallery of Art (U.S.),|eissuing body 
館藏地 索書號 處理狀態 OPAC 訊息 條碼
 傅斯年圖書館西文巨冊書  WX NB813.B4 D549 2019    到期 02-01-22    30530001357847