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020    9780810892422|q(electronic bk.) 
020    |z9780810892415 
035    (MiAaPQ)EBC1486332 
035    (Au-PeEL)EBL1486332 
035    (CaPaEBR)ebr10786738 
035    (CaONFJC)MIL546406 
035    (OCoLC)861559457 
040    MiAaPQ|beng|erda|epn|cMiAaPQ|dMiAaPQ 
050  4 MT64.M65 -- M6713 2013eb 
082 0  781.542 
100 1  Morricone, Ennio 
245 10 Composing for the Cinema :|bThe Theory and Praxis of Music
       in Film 
264  1 Lanham, MD :|bScarecrow Press,|c2013 
264  4 |c©2013 
300    1 online resource (316 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
505 0  Intro -- Title Page -- Translator's Note -- Editor's Note 
       -- Acknowledgments -- Abbreviations -- Introduction -- 
       Audiovisual Analysis-Part 1 -- Production Procedures -- 
       Audiovisual Analysis-Part 2 -- Premix and Final Mix -- 
       Compositional Elements -- Questions and Answers -- 
       Composing for the Cinema -- Writing for the Cinema -- 
       Filmography -- Bibliography [to 1999] -- Index -- About 
       the Authors and Translator 
520    With nearly 400 scores to his credit, Ennio Morricone is 
       one of the most prolific and influential film composers 
       working today. In Composing for the Cinema, Morricone and 
       musicologist Sergio Miceli present a series of lectures on
       the composition and analysis of film music. Adapted from 
       several lectures and seminars, these lessons show how 
       sound design can be analyzed and offer a variety of 
       musical solutions to many different kinds of film. Drawing
       upon scores by himself and others, the composer also 
       provides insight into his relationships with many of the 
       directors with whom he has collaborated, including Sergio 
       Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren 
       Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, 
       and others. Delivered in a conversational mode that is 
       both comprehensible and interesting, this groundbreaking 
       work intertwines analysis with practical details of film 
       music composition 
588    Description based on publisher supplied metadata and other
       sources 
590    Electronic reproduction. Ann Arbor, Michigan : ProQuest 
       Ebook Central, 2020. Available via World Wide Web. Access 
       may be limited to ProQuest Ebook Central affiliated 
       libraries 
650  0 Motion picture music - Instruction and study 
655  4 Electronic books 
700 1  Miceli, Sergio 
700 1  Anderson, Gillian B 
776 08 |iPrint version:|aMorricone, Ennio|tComposing for the 
       Cinema : The Theory and Praxis of Music in Film|dLanham, 
       MD : Scarecrow Press,c2013|z9780810892415 
856 40 |uhttps://ebookcentral.proquest.com/lib/sinciatw/
       detail.action?docID=1486332|zClick to View