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001    EBC3038163 
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005    20200713055333.0 
006    m     o  d |       
007    cr cnu|||||||| 
008    200713s1997    xx      o     ||||0 eng d 
020    9780520922105|q(electronic bk.) 
020    |z9780520205796 
035    (MiAaPQ)EBC3038163 
035    (Au-PeEL)EBL3038163 
035    (CaPaEBR)ebr2001261 
035    (OCoLC)70764821 
040    MiAaPQ|beng|erda|epn|cMiAaPQ|dMiAaPQ 
050  4 ML3506 -- .D48 1997eb 
082 0  781.6/55 
100 1  DeVeaux, Scott 
245 14 The Birth of Bebop :|bA Social and Musical History 
250    1st ed 
264  1 Berkeley :|bUniversity of California Press,|c1997 
264  4 |c©1997 
300    1 online resource (607 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
505 0  Intro -- Contents -- Illustrations -- Acknowledgments -- 
       INTRODUCTION -- PROGRESS AND THE BEAN -- THE MAKING OF A 
       VIRTUOSO -- OUT OF STEP WITH SWING -- SPITBALLS AND TRICKY
       RIFFS -- THE JAZZMAN S TRUE ACADEMY -- WARTIME HIGHS   AND
       LOWS -- SHOWCASING THE REAL STUFF -- THE RUSH TO RECORD --
       ECKSTINE AND HERMAN -- SHORT STAY IN THE SUN -- EPILOGUE -
       - Notes -- Selected Bibliography -- Recordings Cited -- 
       Index 
520    The richest place in America's musical landscape is that 
       fertile ground occupied by jazz. Scott DeVeaux takes a 
       central chapter in the history of jazz--the birth of bebop
       --and shows how our contemporary ideas of this uniquely 
       American art form flow from that pivotal moment. At the 
       same time, he provides an extraordinary view of the United
       States in the decades just prior to the civil rights 
       movement. DeVeaux begins with an examination of the Swing 
       Era, focusing particularly on the position of African 
       American musicians. He highlights the role played by tenor
       saxophonist Coleman Hawkins, a "progressive" committed to 
       a vision in which black jazz musicians would find a place 
       in the world commensurate with their skills. He then looks
       at the young musicians of the early 1940s, including 
       Charlie Parker, Dizzy Gillespie, and Thelonious Monk, and 
       links issues within the jazz world to other developments 
       on the American scene, including the turmoil during World 
       War II and the pervasive racism of the period. Throughout,
       DeVeaux places musicians within the context of their 
       professional world, paying close attention to the 
       challenges of making a living as well as of making good 
       music. He shows that bebop was simultaneously an artistic 
       movement, an ideological statement, and a commercial 
       phenomenon. In drawing from the rich oral histories that a
       living tradition provides, DeVeaux's book resonates with 
       the narratives of individual lives. While The Birth of 
       Bebop is a study in American cultural history and a 
       critical musical inquiry, it is also a fitting homage to 
       bebop and to those who made it possible 
588    Description based on publisher supplied metadata and other
       sources 
590    Electronic reproduction. Ann Arbor, Michigan : ProQuest 
       Ebook Central, 2020. Available via World Wide Web. Access 
       may be limited to ProQuest Ebook Central affiliated 
       libraries 
650  0 Bop (Music) -- History and criticism.;Jazz -- 1931-1940 --
       History and criticism.;Jazz -- 1941-1950 -- History and 
       criticism.;Music -- Social aspects 
655  4 Electronic books 
776 08 |iPrint version:|aDeVeaux, Scott|tThe Birth of Bebop : A 
       Social and Musical History|dBerkeley : University of 
       California Press,c1997|z9780520205796 
856 40 |uhttps://ebookcentral.proquest.com/lib/sinciatw/
       detail.action?docID=3038163|zClick to View