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作者 Jablonski, Anna Ridge
書名 Modern art, mosques, and the Maghreb French Orientalist painting of mosques and prayer in Muslim North Africa during colonialism
國際標準書號 9781124730707
book jacket
說明 61 p
附註 Source: Masters Abstracts International, Volume: 49-06, page: 3397
Adviser: Bingyi Huang
Thesis (M.A.)--State University of New York at Buffalo, 2011
This paper analyses the use of mosques and the Muslim faithful as pictorial subjects for modern French Orientalist painters during the period of French colonialism in North Africa. France's "civilizing mission" of its North African colonies during the nineteenth and twentieth centuries sought to tame a foreign land of what the French perceived to be savagery, exoticism, and madness. These perceptions were disseminated by explorers, physicians, writers, and artists. French Orientalist painters working in the colonial condition typically adhered to these stereotypes; however, illustrations of mosques and prayer show an atypical sensitivity and respect for Muslim North Africa, and are a point of difference in the oeuvres of French Orientalist painters
School code: 0656
Host Item Masters Abstracts International 49-06
主題 African Studies
Religion, General
Art History
Islamic Studies
History, Modern
0293
0318
0377
0512
0582
Alt Author State University of New York at Buffalo. Visual Studies
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