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作者 Steinman, Megan Marissa
書名 The kinesthetic citizen: Dance and critical art practices for Master of Public Art Studies
國際標準書號 9781124788951
book jacket
說明 68 p
附註 Source: Masters Abstracts International, Volume: 50-01, page: 0007
Adviser: Gloria Sutton
Thesis (M.A.)--University of Southern California, 2011
When we watch a dance performance, we become aware not only of the dancer's movements, but of our own corporeal capacity for movement. Thus, dance in exhibition spaces posits spectatorship as a physical act. It also provides an embodied understanding of our relationship to social spaces. How might this kinesthetic awareness be mobilized as a political gesture? My thesis examines the work of six contemporary artists - Jerome Bel, Trisha Brown, Felix Gonzalez-Torres, Joachim Koester, Ralph Lemon, and Rashaad Newsome - whose multi-disciplinary practices utilize two central tenets of the postmodern dance genre: the incorporation of everyday movement within choreography and a rejection of the archetypal dancer. I examine the kinesthetic experience of their dance events through the lens of political and spatial theories proposed by Ernesto Laclau, Chantal Mouffe, and Doreen Massey in order to locate political empathy in everyday movement, social encounters and lived experiences
School code: 0208
Host Item Masters Abstracts International 50-01
主題 Art Criticism
Dance
Political Science, General
0365
0378
0615
Alt Author University of Southern California. Public Art Studies
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