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001    EBC413442 
003    MiAaPQ 
005    20200713055127.0 
006    m     o  d |       
007    cr cnu|||||||| 
008    200713s2001    xx      o     ||||0 eng d 
020    9780807875001|q(electronic bk.) 
020    |z9780807849798 
035    (MiAaPQ)EBC413442 
035    (Au-PeEL)EBL413442 
035    (CaPaEBR)ebr10022611 
035    (OCoLC)559642413 
040    MiAaPQ|beng|erda|epn|cMiAaPQ|dMiAaPQ 
050  4 PS310.P6 -- T48 2001eb 
082 0  811/.5209358 
100 1  Thurston, Michael 
245 10 Making Something Happen :|bAmerican Political Poetry 
       between the World Wars 
264  1 Chapel Hill :|bThe University of North Carolina Press,
       |c2001 
264  4 |c©2001 
300    1 online resource (282 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
505 0  Intro -- Contents -- Illustrations -- Acknowledgments -- 
       Introduction -- 1.Tradition and the Political Poet -- 
       2.All Together, Black and White -- 3.Getting the Goofs to 
       Listen -- 4.Extending the Document -- Conclusion -- Notes 
       -- Works Cited -- Index 
520    "Poetry makes nothing happen," wrote W. H. Auden in 1939, 
       expressing a belief that came to dominate American 
       literary institutions in the late 1940s--the idea that 
       good poetry cannot, and should not, be politically 
       engaged. By contrast, Michael Thurston here looks back to 
       the 1920s and 1930s to a generation of poets who wrote 
       with the precise hope and the deep conviction that they 
       would move their audiences to action. He offers an 
       engaging new look at the political poetry of Edwin Rolfe, 
       Langston Hughes, Ezra Pound, and Muriel Rukeyser. Thurston
       combines close textual reading of the poems with research 
       into their historical context to reveal how these four 
       poets deployed the resources of tradition and 
       experimentation to contest and redefine political common 
       sense. In the process, he demonstrates that the aesthetic 
       censure under which much partisan writing has labored 
       needs dramatic revision. Although each of these poets 
       worked with different forms and toward different ends, 
       Thurston shows that their strategies succeed as poetry. He
       argues that partisan poetry demands reflection not only on
       how we evaluate poems but also on what we value in poems 
       and, therefore, which poems we elevate 
588    Description based on publisher supplied metadata and other
       sources 
590    Electronic reproduction. Ann Arbor, Michigan : ProQuest 
       Ebook Central, 2020. Available via World Wide Web. Access 
       may be limited to ProQuest Ebook Central affiliated 
       libraries 
650  0 American poetry -- 20th century -- History and 
       criticism.;Politics and literature -- United States -- 
       History -- 20th century.;Political poetry, American -- 
       History and criticism.;World War, 1914-1918 -- 
       Influence.;World War, 1939-1945 -- Causes 
655  4 Electronic books 
776 08 |iPrint version:|aThurston, Michael|tMaking Something 
       Happen : American Political Poetry between the World Wars
       |dChapel Hill : The University of North Carolina Press,
       c2001|z9780807849798 
856 40 |uhttps://ebookcentral.proquest.com/lib/sinciatw/
       detail.action?docID=413442|zClick to View