MARC 主機 00000cam  2200469Ii 4500 
001    1090170580 
003    OCoLC 
005    20200916030344.0 
008    190321t20202020ilua     b    001 0 eng d 
020    1789381118 
020    9781789381115 
035    (OCoLC)1090170580 
040    YDX|beng|erda|erad|cYDX|dOCLCQ|dYDX|dILO|dYDXIT|dBDX
050 14 P93.5|b.C85 2020 
082 04 302.23|223 
245 00 Culture, technology and the image :|btechniques of 
       engaging with visual culture /|cedited by Jeremy Pilcher 
246 30 Techniques of engaging with visual culture 
264  1 Bristol, United Kingdom ;|aChicago, Illinois :|bintellect,
264  4 |c©2020 
300    vii, 150 pages :|billustrations ;|c25 cm 
336    text|btxt|2rdacontent 
336    still image|bsti|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
500    Culture, Technology and the Image explores the 
       technologies deployed when images are archived, accessed 
       and distributed. The chapters discuss the ways in which 
       habits and techniques used in learning and communicating 
       knowledge about images are affected by technological 
       developments. The volume discusses a wide range of issues,
       including access and participation; research, pedagogy and
       teaching; curation and documentation; circulation and re-
       use; and conservation and preservation. The book 
       illustrates how knowledge about images is intertwined with
       the methods that are used to store, retrieve and analyse 
       those images and the information associated with them. 
       Focusing on the implications of technology for processes 
       and practices brings into view the permeable nature of 
       boundaries between such disciplines as art history, media 
       studies, museum studies and archiving. As such, this text 
       will appeal to a broad academic audience, including art 
       historians interested in the digital; media studies 
       scholars; digital humanities scholars interested in 
       expanding beyond textual scholarship; as well as new 
       students in any of these fields. -- publisher's website 
504    Includes bibliographical references and index 
505 00 |tIntroduction /|rJeremy Pilcher --|tCurrent research 
       methodologies of scholars in the visual arts: Toward an 
       emerging model in image and text retrieval for the domain 
       /|rCatherine Larkin --|gPart I: Data generation.|tFrom 
       photogrammetry to Big Data: A case study of their 
       possibilities for digital art history /|rPedro Luengo ;
       |tImaging technologies applied to questions of authorship 
       /|rNicholas Eastaugh --|gPart II: Knowledge presentation 
       and visualization.|tTime machines /|rStephen Boyd Davis ;
       |tVorsprung durch Technik: Multi-display learning spaces 
       and art-historical method /|rBrett Bligh and Katharina 
       Lorenz --|gPart III: Virtual museology.|tVirtual museum: 
       The concept and transformation /|rAnna Bentkowska-Kafel ;
       |tA field guide for analyzing the curation of online 
       social networks of arts /|rAlmila Akdag Salah ;|tThe 
       hyperimage: Toward a theory of expanded photography /
       |rAlfredo Cramerotti --|gConclusion:|tTechnology-technique
       -transformation /|rJeremy Pilcher 
650  0 Visual communication 
650  0 Visual sociology 
650  0 Communication and culture 
650  0 Technology|xSocial aspects 
700 1  Pilcher, Jeremy,|eeditor 
776 08 |iElectronic version:|tCulture, technology and the image.
       |dBristol, UK : Intellect Books, 2020|z9781789381139
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